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It was born as a hymn inspired by the 1963 xylographic work of the artist Olga Blinder, "El torturado" (The tortured).
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The woodcut work that inspired the song is entitled "Los dedos en la madera", from 1967, by artist Edith Jiménez.
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The work that inspired it belongs to the plastic artist Belén Rodríguez: "Adiós sin despedida", from the year 2020. Diana Fernández interprets it with the emotion, respect and living memory that are immersed in this tribute to the many Paraguayan families mourned because of COVID-19.
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A work by the indigenous Nivaclé artist from the Paraguayan Chaco, Clemente Juliuz, was the inspiration for this song that narrates the ravages caused by the deforestation of our native forests.
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This song is inspired by the work "Bajo agua" from the series "Solo la belleza puede apaciguar la noche", by Silvana Nuovo. The song is reminiscent of a mysterious place in Paraguay that became famous in the last decade. Geologically, it could be a cenote or some kind of lake with subway tributaries.
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The visual work that gave rise to the lyrics and music of this song is a digital photograph belonging to Fernando Allen, from the series "Circos Kramer y Latino", from 2017.
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Song inspired by the ceramic piece with engobe and fumigated belonging to the artist Ediltrudis Noguera titled "Pareja", from 2015.
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"Paz del Chaco", a 2007 work by artist Joaquín Sánchez, is the source of inspiration for this song. It is a photograph with silver paper weaving and gold thread embroidery.
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The artwork that served as inspiration for the song belongs to Félix Toranzos.
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The visual work that inspired this song belongs to Mabel Arcondo and is entitled: "Tranvía a la casa de Gaudi" (Tramway to Gaudi's house). Arcondo is an artist whose work is framed between the primitive and the surreal.